Belgrade Cultural Center, Serbia
Asako Shiroki, Your Voice, Echoed
Curated by Svetlana Petrović
3-31 October 2019

Museu de Arte Contemporânea de Niterói, Rio de Janeiro, Brazil
Federico Herrero, Tempo Aberto
Curated by Pablo León de la Barra and Raphael Fonseca
1 September – 8 December 2019

Tate Modern, London, United Kingdom
Kara Walker, Fons Americanus
2 October 2019 – 8 November 2020

Smart Museum of Art, Chicago, United States
The Allure of Matter, Material Art from China
Curated by Wu Hung, Harrie A. Vanderstappen and Orianna Cacchione
7 February – 3 May 2020

Stedelijk Museum, Amsterdam, Netherlands
Esiri Erheriene-Essi, The Inheritance (or Familiar Strangers)
Curated by Claire van Els
19 October 2019 – 22 March 2020

National Gallery of Bosnia & Herzegovina, Sarajevo, Bosnia & Herzegovina
Intimacies of Space, from the collection of the National Gallery
Curated by Maja Abdomerovic

Virginia Museum of Fine Arts, Richmond, United States

Rumors of War, Kehinde Wiley

Kehinde Wiley’s 27-foot tall sculpture, Rumors of War, was permanently installed in 2019 at the Virginia Museum of Fine Arts (VMFA), at its entrance on historic Arthur Ashe Boulevard in Richmond, Virginia. Mounted proudly on its large stone pedestal, Rumors of War is the artist’s direct response to the ubiquitous Confederate sculptures that populate the United States, particularly in the American South. Wiley’s sculpture depicts a young, African American figure dressed in urban streetwear and sitting astride a massive horse in a striking pose based on the equestrian monument to Confederate States Army general James Ewell Brown “J.E.B.” Stuart on Richmond’s Monument Avenue.

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